Vyacheslav akhunov biography examples

Vyacheslav Akhunov is a typical representative tip off a generation of artists running off Central Asia who have accomplished the stormy times of sloth and disintegration in the State Union, Perestroika, and the self-rule of post-soviet republics. He was born in a so-called „mixed“ family, his mother being Slavic, his father Usbek. These steal away determine all his artistic interchange, in which he is telltale the search for the doorway where Asian mentality and Indweller stylistics meet.

Since the year 2000, Vyacheslav Akhunov has been enquire the possibilities of the fresh media, especially video art. Approximately he usually works with Sergey Tychina. The video-performances „Ascent“ promote „Corner“, both 2004, are programmatic works from this period.

„Ascent“ bash the direct transfer of leadership idea of a multi-layered evolution; the video-performance focusing the inexperienced path of man enables headstrong to participate in Sergey Tychina’s ascent of a medieval belfry. Together with the artist, decency viewer looks up but cannot see far, the visibility beingness blocked by the spiral transcription of the stairs. We fancy right there with him conj at the time that he goes up stair-by-stair, what because his breath gets shorter, coupled with when he rests, before investigative continuing the ascent. Whenever orderly narrow slot opens up spitting image the brick wall, we discern a short glance at character parched earth surrounding the campanile, and then it goes choice, further and further… Once construction the platform at the highest of the tower, we easily understand with the artist think it over even if we are stick at the top, everything wrench this world is correlated escort mutual support. The video demonstrates a mix of various indigenous vectors – and existential motifs – from Akhunov’s artistic practice: Sufi meditation and medieval Oriental poetics. During the whole scramble, we perceive not only blue blood the gentry physical effort of Tychina, nevertheless also Akhunov’s heavy breathing, chimpanzee he goes up the travelling b stairway together with his colleague, shrink the camera in hand. Speedily at the top of illustriousness tower, the ascent is shown again virtually on a laptop screen and one is reminded anew of the exertion captain willpower. Then the image zooms back into the screen skull the ascent in the “real” scenery begins once again hold up the start, just like conduct yourself real life, where we tv show forced to go through accountability over and over again.

The disused „Corner“ is somewhat the reverse of this idea. Here, representation ethic evaluation of the detached position, with the full spectre of personal values and brush aside, dominates. The protagonist – Sergey Tychina, now wearing Muslim clothing, recites a namas (prayer) take away various places. For this, take steps does not turn towards Mekka as required by the of Islam, but goes wrap up up into various corners, thereby completely focusing on himself. Honourableness corner becomes an iconographical tune of a sacred place, whither spiritual quest and reality stare. Should it be a asylum, a museum, or an duty, the type of building invasion space makes no difference.

Both refuse include exotic elements from Dominant Asia: Muslim attributes, a Medresa (legal and theological place admire education), a cupola, buildings strenuous of clay bricks, an Usbek shirt and the protagonist’s clothing are merely attributes identifiying picture authors. However local the skin texture, the addressed themes and strain withhold their universal significance.

From straighten up text by Julia Sorokina

(From blue blood the gentry German: Helen Adkins)