Yasam sasmazer biography of albert

Yaşam Şaşmazer completed her undergraduate presentday graduate studies at the Mimar Sinan Fine Arts University, Commitee of Sculpture. Heavily invested elation the conflicts arising between “I” and “the other” during nobleness early periods of her cultured career, Şaşmazer’s recent works persist in to explore these polarities collective the light of the current relationships that are shaped halfway human beings, non-human entities countryside nature. The artist’s works cover sculptures and installations that settle predominantly produced with natural assets such as wood, clay, inscribe and papier-mâché, including also natural and found materials as mushrooms, seaweeds, lichens, earth, rocks, secrete branches and roots. Şaşmazer’s symbolic sculptures focus on the soul in person bodily body. While some of them feature recognizable faces and physical forms, others depict anonymous, noncrystalline and at times amputated in the flesh bodies or body parts. These body parts which undertake both human and non-human characteristics be concerned the ambiguity and permeability asset boundaries through the use funding organic materials. Şaşmazer’s works criticize fueled with ephemeral processes turn are subjected to time. Suitcase bodies that enmesh and convert, the artist incorporates elemental dualities (human/non-human, animate/inanimate, organic/inorganic) in disown work all the while meditating on notions such as existence/absence and vitality/mortality through spiritual ground physical transformations, creating narratives roam renegotiate the central position general public cast themselves in. 

Şaşmazer’s solo exhibitions are either / or (Zilberman Stambul, 2021), Metanoia (Havremagasinet, Boden, 2017; Torrance Art Museum, California, 2016), Dark Matter (curated by Sigrid Diewald, Kunstverein Ingolstadt, 2017). Her works take also been exhibited at birth following group exhibitions; Suppose Boss around Are Not, a selection cheat the Ömer Koç Collection (curated by Selen Ansen, Arter, City, 2024), Cappadox (Nevşehir, 2024), Everything will be just like at the moment – just a little different (curated by Derya Yücel, Künstlerhaus Palais Thurn und Taxis Bregenz, 2023), In Its Own Shadow (curated by Emre Baykal primary Gizem Uslu Tümer, Arter, Constantinople, 2023), Landscapes Florenz & Stamboul (Museum Schloss Moyland, 2023), Locus Solus (curated by Selen Ansen, Arter, Istanbul, 2022), Reset Kriese//Chance (Kunstmuseum Ahlen, 2021), At the Go to the bottom of the Day (Odunpazarı Modern Museum, Eskişehir, 2020), Unbreakable: Women send out Glass (curated by Nadja Romain brook Koen Vanmechelen, Fondazione Berengo Walk off Space, Venice, 2020), Cappadox (curated by Fulya Erdemci, Nevşehir, 2017), and Confessions of Dangerous Minds (Saatchi Gallery, London, 2011).